Paper-pencil-chisel-stone
A joint exhibition with Michael Quane RHA and Johanna Connor
Lavit Gallery Cork 22May - 14 June 2025
An exhibition of work brought about through the act of drawing on the artists respective media of paper and stone.
Connor, drawing as if through a lens, edits the visible and the invisible, striving to extract some of the hidden magic from the mundane.
Quane on the other hand incessantly scrapes, with the chisel, in the act of carving, the loose flabby bolder which ever tightens, with each pass of the chisel, into deliberate form.

Lapsed use
Clutch pencil on hp Waterford paper 300grms
Framed 92 x 92cm using AR70 glass
2024
Skyfall
Clutch pencil on hp Waterford paper 300grms
Framed 79 x 79cm using AR70 glass
2025
Out the back
Clutch pencil on hp Arches paper 300grms
Framed 90 x 90cm using AR70 glass
2025
The gatekeeper
Clutch pencil on hp Waterford paper 300grms
Framed 90 x 90cm using AR70 glass
2024
Made with Love und Wald
Clutch pencil on hp Waterford paper 300grms
Framed 94 x 94cm using AR70 glass
2024

Gated
Clutch pencil on hp Waterford paper 300grms
Framed 94 x 94cm using AR70 glass
2025 π΄
Holdfast
Clutch pencil on hp Arches paper 300grms
Framed 94 x 94cm using AR70 glass
2025 π΄ OPW Collection
Back to the sun
Clutch pencil on hp Waterford paper 300grms
Framed 94 x 94cm using AR70 glass
2025 π΄
Kissing gates
Clutch pencil on hp Arches paper 300grms
Framed 94 x 94cm using AR70 glass
2025 π΄
Dumped
Clutch pencil on hp Waterford paper 300grms
Framed 92 x 92cm using AR70 glass
2024
Still
Clutch pencil on hp Arches paper 300grms
Framed 80 x 80cm using AR70 glass
2025 π΄
Skyfall
Clutch pencil on hp Waterford paper 300grms
Framed 79 x 79cm using AR70 glass
2025
Off road
Clutch pencil on hp Arches paper 300grms
Framed 80 x 80cm using AR70 glass
2025
Rewilding
Clutch pencil on hp Arches paper 300grms
Framed 80 x 80cm using AR70 glass
2025 π΄
Fit for purpose
Clutch pencil on hp Arches paper 300grms
Framed 80 x 80cm using AR70 glass
2025
Rugged
Clutch pencil on hp Waterford paper 300grms
Framed 50 x 50cm using AR70 glass
2023 π΄
Reset
Clutch pencil on hp Waterford paper 300grms
Framed 50 x 50cm using AR70 glass
2023 π΄
A-frame
Clutch pencil on hp Waterford paper 300grms
Framed 50 x 50cm using AR70 glass
2023
Offset
Clutch pencil on hp Waterford paper 300grms
Framed 50 x 50cm using AR70 glass
2023
One small step... relieved
Clutch pencil on hp Waterford paper 300grms
Framed 49 x 49cm using AR70 glass
2024
No more miles
Clutch pencil on hp Waterford paper 300grms
Framed 49 x 49cm using AR70 glass
2024
Aghabullogue Barn
Clutch pencil on hp Waterford paper 300grms
Framed 30 x 49cm using AR70 glass
2024 π΄ Cork County Council CollectionArtists Statements
Beauty in a scene, which at first glance, appears to be strangely ordinary is what truly interests me and itβs through the process of drawing that I strive to reveal this. I seek traces that are current or historic, are seasonal or daily or are simply once in time. A trace of something magic lying within the mundane.
JGC 2025
The principal material onto which I draw is stone. The chisel tears into the surface, scraping white abrasions into the black stone, as it strives to gather the form into itself. Each mark serves a purpose, but isnβt cherished for its own sake. Its value in the whole is equal to how long it lasts before another scrape of the chisel obliterates it; that mark in turn to be supplanted by subsequent marks and scrapes. Hundreds of thousands of these serve to gather up the form from the loose, flabby boulder. They tuck the drawingβs surface into itself where it needs to be tucked and wrap it ever tighter, until a stage is reached where the drawn surface stretches into form. Fragments of the drawing remain proud of the form, having the appearance of a lesion on the surface, through which the subjacent quality of the rock can be seen. I am intent on immediacy and spontaneity and hence the drawings which I produces are part of the process itself of direct carving.